Saturday, December 10, 2011

Harry Potter: The Complete 8-Film Collection

Harry Potter: The Complete 8-Film Collection Review






Harry Potter: The Complete 8-Film Collection Overview


Studio: Warner Home Video Release Date: 11/11/2011


Harry Potter: The Complete 8-Film Collection Specifications


Harry Potter and the Sorcerer's Stone
Here's an event movie that holds up to being an event. This filmed version of Harry Potter and the Sorcerer's Stone, adapted from the wildly popular book by J.K. Rowling, stunningly brings to life Harry Potter's world of Hogwarts, the school for young witches and wizards. The greatest strength of the film comes from its faithfulness to the novel, and this new cinematic world is filled with all the details of Rowling's imagination, thanks to exuberant sets, elaborate costumes, clever makeup and visual effects, and a crème de la crème cast, including Maggie Smith, Richard Harris, Alan Rickman, and more. Especially fine is the interplay between Harry (Daniel Radcliffe) and his schoolmates Ron (Rupert Grint) and Hermione (Emma Watson), as well as his protector, the looming Hagrid (Robbie Coltrane). The second-half adventure--involving the titular sorcerer's stone--doesn't translate perfectly from page to screen, ultimately because of the film's fidelity to the novel; this is a case of making a movie for the book's fans, as opposed to a transcending film. Writer Steve Kloves and director Chris Columbus keep the spooks in check, making this a true family film, and with its resourceful hero wide-eyed and ready, one can't wait for Harry's return. Ages 8 and up. --Doug Thomas

Harry Potter and the Chamber of Secrets
First sequels are the true test of an enduring movie franchise, and Harry Potter and the Chamber of Secrets passes with flying colors. Expanding upon the lavish sets, special effects, and grand adventure of Harry Potter and the Sorcerer's Stone, Harry's second year at Hogwarts School of Witchcraft and Wizardry involves a darker, more malevolent tale (parents with younger children beware), beginning with the petrified bodies of several Hogwarts students and magical clues leading Harry (Daniel Radcliffe), Ron (Rupert Grint), and Hermione (Emma Watson) to a 50-year-old mystery in the monster-laden Chamber of Secrets. House elves, squealing mandrakes, giant spiders, and venomous serpents populate this loyal adaptation (by Sorcerer's Stone director Chris Columbus and screenwriter Steve Kloves), and Kenneth Branagh delightfully tops the supreme supporting cast as the vainglorious charlatan Gilderoy Lockhart (be sure to view past the credits for a visual punchline at Lockhart's expense). At 161 minutes, the film suffers from lack of depth and uneven pacing, and John Williams' score mostly reprises established themes. The young, fast-growing cast offers ample compensation, however, as does the late Richard Harris in his final screen appearance as Professor Albus Dumbledore. Brimming with cleverness, wonderment, and big-budget splendor, Chamber honors the legacy of J.K. Rowling's novels. --Jeff Shannon

Harry Potter and the Prisoner of Azkaban
Some movie-loving wizards must have cast a magic spell on Harry Potter and the Prisoner of Azkaban, because it's another grand slam for the Harry Potter franchise. Demonstrating remarkable versatility after the arthouse success of Y Tu Mamá También, director Alfonso Cuarón proves a perfect choice to guide Harry, Hermione, and Ron into treacherous puberty as the now 13-year-old students at Hogwarts School of Witchcraft and Wizardry face a new and daunting challenge: Sirius Black (Gary Oldman) has escaped from Azkaban prison, and for reasons yet unknown (unless, of course, you've read J.K. Rowling's book, considered by many to be the best in the series), he's after Harry in a bid for revenge. This dark and dangerous mystery drives the action while Harry (the fast-growing Daniel Radcliffe) and his third-year Hogwarts classmates discover the flying hippogriff Buckbeak (a marvelous CGI creature), the benevolent but enigmatic Professor Lupin (David Thewlis), horrifying black-robed Dementors, sneaky Peter Pettigrew (Timothy Spall), and the wonderful advantage of having a Time-Turner just when you need one. The familiar Hogwarts staff returns in fine form (including the delightful Michael Gambon, replacing the late Richard Harris as Dumbledore, and Emma Thompson as the goggle-eyed Sybil Trelawney), and even Julie Christie joins this prestigious production for a brief but welcome cameo. Technically dazzling, fast-paced, and chock-full of Rowling's boundless imagination (loyally adapted by ace screenwriter Steve Kloves), The Prisoner of Azkaban is a Potter-movie classic. --Jeff Shannon

Harry Potter and the Goblet of Fire
The latest entry in the Harry Potter saga could be retitled Fast Times at Hogwarts, where finding a date to the winter ball is nearly as terrifying as worrying about Lord Voldemort's return. Thus, the young wizards' entry into puberty (and discovery of the opposite sex) opens up a rich mining field to balance out the dark content in the fourth movie (and the stories are only going to get darker). Mike Newell (Four Weddings and a Funeral) handily takes the directing reins and eases his young cast through awkward growth spurts into true young actors. Harry (Daniel Radcliffe, more sure of himself) has his first girl crush on fellow student Cho Chang (Katie Leung), and has his first big fight with best bud Ron (Rupert Grint). Meanwhile, Ron's underlying romantic tension with Hermione (Emma Watson) comes to a head over the winter ball, and when she makes one of those girl-into-woman Cinderella entrances, the boys' reactions indicate they've all crossed a threshold.

But don't worry, there's plenty of wizardry and action in Goblet of Fire. When the deadly Triwizard Tournament is hosted by Hogwarts, Harry finds his name mysteriously submitted (and chosen) to compete against wizards from two neighboring academies, as well as another Hogwarts student. The competition scenes are magnificently shot, with much-improved CGI effects (particularly the underwater challenge). And the climactic confrontation with Lord Voldemort (Ralph Fiennes, in a brilliant bit of casting) is the most thrilling yet. Goblet, the first installment to get a PG-13 rating, contains some violence as well as disturbing images for kids and some barely shrouded references at sexual awakening (Harry's bath scene in particular). The 2 1/2-hour film, lean considering it came from a 734-page book, trims out subplots about house-elves (they're not missed) and gives little screen time to the standard crew of the other Potter films, but adds in more of Britain's finest actors to the cast, such as Brendan Gleeson as Mad-Eye Moody and Miranda Richardson as Rita Skeeter. Michael Gambon, in his second round as Professor Dumbledore, still hasn't brought audiences around to his interpretation of the role he took over after Richard Harris died, but it's a small smudge in an otherwise spotless adaptation. --Ellen A. Kim

Harry Potter and the Order of the Phoenix
Alas! The fifth Harry Potter film has arrived. The time is long past that this can be considered a simple "children's" series--though children and adults alike will enjoy it immensely. Starting off from the dark and tragic ending of the fourth film, Harry Potter and the Order of the Phoenix begins in a somber and angst-filled tone that carries through the entire 138 minutes (the shortest of any HP movie despite being adapted from the longest book). Hopes of winning the Quidditch Cup have been replaced by woes like government corruption, distorted media spin, and the casualties of war. As the themes have matured, so have the primary characters' acting abilities. Ron (Rupert Grint), Hermione (Emma Watson), and especially Harry (Daniel Radcliffe) are more convincing than ever--in roles that are more demanding.

Harry is deeply traumatized from having witnessed Cedric Diggory's murder, but he will soon find that this was just another chapter in the continuing loss he will endure. Lord Voldemort (Ralph Fiennes) has returned and, in an attempt to conceal this catastrophe from the wizarding public, the Ministry of Magic has teamed up with the wizard newspaper The Daily Prophet to smear young Potter and wise Dumbledore (Michael Gambon)--seemingly the only two people in the public eye who believe the Dark Lord has returned. With no one else to stand against the wicked Death Eaters, the Hogwarts headmaster is forced to revive his secret anti-Voldemort society, the Order of the Phoenix. This welcomes back characters like Mad-Eye Moody (Brendan Gleeson), kind Remus Lupin (David Thewlis), fatherly Sirius Black (Gary Oldman), and insidious Severus Snape (Alan Rickman), and introduces a short list of intriguing new faces. In the meantime, a semi-psychotic bureaucrat from the Ministry (brilliantly portrayed by Imelda Staunton) has seized power at Hogwarts, and Harry is forced to form a secret society of his own--lest the other young wizards at his school be left ill-equipped to defend themselves in the looming war between good and evil. In addition, Harry is filled with an inexplicable rage that only his Godfather Sirius seems to be able to understand.

This film, though not as frightening as its predecessor, earns its PG-13 rating mostly because of the ever-darkening tone. As always, the loyal fans of J.K. Rowling's books will suffer huge cuts from the original plot and character developments, but make no mistake: this is a good movie. --Jordan Thompson

Harry Potter and the Half-Blood Prince
The sixth installment of the Harry Potter series begins right where The Order of the Phoenix left off. The wizarding world is rocked by the news that "He Who Must Not Be Named" has truly returned, and the audience finally knows that Harry is "the Chosen One"--the only wizard who can defeat Lord Voldemort in the end. Dark forces loom around every corner, and now regularly attempt to penetrate the protected walls of Hogwarts School. This is no longer the fun and fascinating world of magic from the first few books—it's dark, dangerous, and scary.

Harry (Daniel Radcliffe) suspects Draco Malfoy (Tom Felton) to be a new Death Eater recruit on a special mission for the Dark Lord. In the meantime, Professor Dumbledore (Michael Gambon) seems to have finally removed the shroud of secrecy from Harry about the dark path that lies ahead, and instead provides private lessons to get him prepared. It's in these intriguing scenes that the dark past of Tom Riddle (a.k.a. Voldemort) is finally revealed. The actors cast as the different young versions of Riddle (Hero Fiennes-Tiffin and Frank Dillane) do an eerily fantastic job of portraying the villain as a child. While the previous movies' many new characters could be slightly overwhelming, only one new key character is introduced this time: Professor Horace Slughorn (with a spot-on performance by Jim Broadbent). Within his mind he holds a key secret in the battle to defeat the Dark Lord, and Harry is tasked by Dumbledore to uncover a memory about Voldemort's darkest weapon--the Horcrux. Despite the long list of distractions, Harry, Ron (Rupert Grint), and Hermione (Emma Watson) still try to focus on being teenagers, and audiences will enjoy the budding awkward romances. All of the actors have developed nicely, giving their most convincing performances to date.

More dramatic and significant things go down in this movie than any of its predecessors, and the stakes are higher than ever. The creators have been tasked with a practically impossible challenge, as fans of the beloved J.K. Rowling book series desperately want the movies to capture the magic of the books as closely as possible. Alas, the point at which one accepts that these two mediums are very different is the point at which one can truly enjoy these brilliant adaptations. Harry Potter and the Half-Blood Prince is no exception: it may be the best film yet. For those who have not read the book, nail-biting entertainment is guaranteed. For those who have, the movie does it justice. The key dramatic scenes, including the cave and the shocking twist in the final chapter, are executed very well. It does a perfect job of setting up the two-part grand finale that is to follow. --Jordan Thompson

Harry Potter and the Deathly Hallows, Part I
Harry Potter and the Deathly Hallows, Part I is a brooding, slower-paced film than its predecessors, the result of being just one half of the final story (the last book in the series was split into two movies, released in theaters eight months apart). Because the penultimate film is all buildup before the final showdown between the teen wizard and the evil Voldemort (which does not occur until The Deathly Hallows, Part II), Part I is a road-trip movie, a heist film, a lot of exposition, and more weight on its three young leads, who up until now were sufficiently supported by a revolving door of British thesps throughout the series. Now that all the action takes place outside Hogwarts--no more Potions classes, Gryffindor scarves, or Quidditch matches--Daniel Radcliffe (Harry), Emma Watson (Hermione), and Rupert Grint (Ron) shoulder the film almost entirely on their own. After a near-fatal ambush by Voldemort's Death Eaters, the three embark on a quest to find and destroy the remaining five horcruxes (objects that store pieces of Voldemort's soul). Fortunately, as the story gets more grave--and parents should be warned, there are some scenes too frightening or adult for young children--so does the intensity. David Yates, who directed the Harry Potter films Order of the Phoenix and The Half-Blood Prince, drags the second half a little, but right along with some of the slower moments are some touching surprises (Harry leading Hermione in a dance, the return of Dobby in a totally non-annoying way). Deathly Hallows, Part I will be the most confusing for those not familiar with the Potter lore, particularly in the shorthand way characters and terminology weave in and out. For the rest of us, though, watching these characters over the last decade and saying farewell to a few faces makes it all bittersweet that the end is near (indeed, an early scene in which Hermione casts a spell that makes her Muggle parents forget her existence, in case she doesn't return, is particularly emotional). Despite its challenges, Deathly Hallows, Part I succeeds in what it's most meant to do: whet your appetite for the grand conclusion to the Harry Potter series. --Ellen A. Kim

Harry Potter and the Deathly Hallows, Part II
The Deathly Hallows: Part 2 is the film all Harry Potter fans have waited 10 years to see, and the good news is that it's worth the hype--visually stunning, action packed, faithful to the book, and mature not just in its themes and emotion but in the acting by its cast, some of whom had spent half their lives making Harry Potter movies. Part 2 cuts right to the chase: Voldemort (Ralph Fiennes) has stolen the Elder Wand, one of the three objects required to give someone power over death (a.k.a. the Deathly Hallows), with the intent to hunt and kill Harry. Meanwhile, Harry's quest to destroy the rest of the Horcruxes (each containing a bit of Voldemort's soul) leads him first to a thrilling (and hilarious--love that Polyjuice Potion!) trip to Gringotts Bank, then back to Hogwarts, where a spectacular battle pitting the young students and professors (a showcase of the British thesps who have stolen every scene of the series: Maggie Smith's McGonagall, Jim Broadbent's Slughorn, David Thewlis's Lupin) against a dark army of Dementors, ogres, and Bellatrix Lestrange (Helena Bonham Carter, with far less crazy eyes to make this round). As predicted all throughout the saga, Harry also has his final showdown with Voldemort--neither can live while the other survives--though the physics of that predicament might need a set of crib notes to explain. But while each installment has become progressively grimmer, this finale is the most balanced between light and dark (the dark is quite dark--several familiar characters die, with one significant death particularly grisly); the humor is sprinkled in at the most welcome times, thanks to the deft adaptation by Steve Kloves (who scribed all but one of the films from J.K. Rowling's books) and direction by four-time Potter director David Yates. The climactic kiss between Ron (Rupert Grint) and Hermione (Emma Watson), capping off a decade of romantic tension, is perfectly tuned to their idiosyncratic relationship, and Daniel Radcliffe has, over the last decade, certainly proven he was the right kid for the job all along. As Prof. Snape, the most perfect of casting choices in the best-cast franchise of all time, Alan Rickman breaks your heart. Only the epilogue (and the lack of chemistry between Harry and love Ginny Weasley, barely present here) stand a little shaky, but no matter: the most lucrative franchise in movie history to date has just reached its conclusion, and it's done so without losing its soul. --Ellen A. Kim


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Friday, December 9, 2011

Dolphin Tale (+ UltraViolet Digital Copy)

Dolphin Tale (+ UltraViolet Digital Copy) Review






Dolphin Tale (+ UltraViolet Digital Copy) Overview


Inspired by a true story, Dolphin Tale is about courage, ingenuity, and never giving up. Sawyer (Nathan Gamble) is a young boy who's struggling with school and doesn't have many friends other than his cousin Kyle (Austin Stowell). When Kyle, a star swimmer, joins the army to earn money for college and is called to active duty, it looks like Sawyer is destined to spend his summer alone tinkering in the garage and attending summer school. Sawyer stumbles upon a dolphin that's been severely injured, becomes fascinated by dolphins, and is suddenly intellectually engaged like never before. In spite of his shyness, he forms a friendship with marine rescue doctor Clay (Harry Connick Jr.) and his daughter Hazel (Cozi Zuehlsdorff) and, more importantly, a special and very powerful bond with the rescued dolphin, who's dubbed Winter. As the newly formed team struggles to save Winter's life and ensure her continued safety, financial concerns, an accident that leaves Kyle crippled for life, and a hurricane all seem to join forces against them. In the end, it is Sawyer's determination, coupled with a little bit of luck and a lot of ingenuity from an army doctor (Morgan Freeman) who specializes in prosthetics, that helps make each member of the team, including Kyle and Winter, whole again. The talented cast does a great job of creating completely believable characters, but Gamble, Zuehlsdorff, Connick, Freeman, Stowell, and of course Winter, who plays herself, all deserve special mention. While the story of an injured animal rescued and rehabilitated has certainly been told before, this film is emotionally powerful and will absolutely captivate children and adults alike. (Ages 5 and older) --Tami Horiuchi


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Wednesday, December 7, 2011

Route Irish [Blu-ray]

Route Irish [Blu-ray] Review






Route Irish [Blu-ray] Overview


United Kingdom released, Blu-Ray/Region A/B/C : it WILL NOT play on regular DVD player. You need Blu-Ray DVD player to view this Blu-Ray DVD: LANGUAGES: English ( Dolby Digital 5.1 ), English ( Dolby DTS-HD Master Audio ), English ( Subtitles ), WIDESCREEN (1.78:1), SPECIAL FEATURES: Interactive Menu, Scene Access, SYNOPSIS: Celebrated British filmmaker Ken Loach explore the controversies of his nation's role in the war in Iraq in this intelligent thriller. Fergus (Mark Womack) served with distinction in a British Special Forces outfit in Iraq, and after his hitch in the Army ended, Fergus was approached by a private security firm working with civilian contractors in the war zone. Fergus wasn't interested in returning to Iraq, but when he was offered £10,000 a month for his services, he changed his mind, and persuaded his army buddy Frankie (John Bishop) to also sign on. Fergus came to regret his decision when Frankie died after hitting an improvised explosive device while traveling on Route Irish, the treacherous road between Baghdad's airport and the heavily fortified Green Zone. While attending Frankie's funeral, Fergus is approached by a woman who gives him Frankie's old cell phone, which holds a startling video of Iraqi civilians being murdered by employees of the same security firm that employed him and Frankie. Fergus believes there's a connection between the video and Frankie's death, and sets out to find it with the help of Frankie's widow Rachel (Andrea Lowe) and Harim (Talib Rasool), an Iraqi refugee. But the top men at the firm are not about to admit any wrongdoing, and uncovering what really happens proves to be a difficult and taxing process. Route Irish received its world premiere at the 2010. SCREENED/AWARDED AT: Cannes Film Festival, ...Route Irish (2010) ( Irlandezikos dromos ) ( L'altra verità )


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Tuesday, December 6, 2011

Glee: The Concert Movie

Glee: The Concert Movie Review






Glee: The Concert Movie Overview


Here’s your front-row seat to a thrilling concert performed by the phenomenally talented cast of Glee. See your favorite stars from the hit TV show as they sing the songs you love and dance up a storm on stage. Get swept up in the energy of “Glee Live” -- including performances not seen in theaters and exclusive interviews! Bonus Features: Unseen Performances Extended Performances On Stage with the Cast Backstage with the Cast


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Sunday, December 4, 2011

All I Want for Christmas

All I Want for Christmas Review





All I Want for Christmas Feature


  • All I Want for Christmas
  • ASIN: B001B3LILA
  • Binding: DVD



All I Want for Christmas Overview


Tis the season for making dreams true. If everything goes according to plan for one young boy, he just may be sharing this Christmas with a new dad. Ever since her husband died, Sarah Armstrong has divided her time between working at a community center and caring for her nine-year-old son, Jesse. When Jesse wins the All I Want for Christmas contest sponsored by a toy company, his wish comes as no surprise to find a new dad. Just in time for the holidays, All I Want for Christmas is a surprise romantic treat for anyone who believes in the magic of love, friendship, and family.


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Friday, December 2, 2011

Bridesmaids

Bridesmaids Review






Bridesmaids Overview


"Gut-bustingly funny. Bridesmaids gets an A!!!" (Owen Gleiberman, Entertainment Weekly) From the producer of Superbad, Knocked Up and The 40-Year-Old Virgin comes the breakout comedy critics are calling "brazenly hysterical!" (Alynda Wheat, People)  Thirty-something Annie (Kristen Wiig) has hit a rough patch but finds her life turned completely upside down when she takes on the Maid of Honor role in her best friend Lillian's (Maya Rudolph) wedding. In way over her head but determined to succeed, Annie leads a hilarious hodgepodge of bridesmaids (Rose Byrne, Melissa McCarthy, Wendi McLendon-Covey and Ellie Kemper) on a wild ride down the road to the big event. Starring: Kristen Wiig, Maya Rudolph, Rose Byrne, Chris O'Dowd, Ellie Kemper, Wendi McLendon-Covey, Melissa McCarthy, Matt Lucas, Jill Clayburgh, Rebel Wilson, Michael Hitchcock, Terry Crews, Kali Hawk, Tim Heidecker, Jon Hamm Directed by: Paul Feig


Bridesmaids Specifications


The delightful Kristen Wiig, who's shone in dozens of supporting roles and on Saturday Night Live, hits a bull's-eye with her first lead role in Bridesmaids. Annie (Wiig) isn't doing so well; her bakery failed and she keeps sleeping with a good-looking louse (Jon Hamm, Mad Men), but she's always had her best friend Lillian (Maya Rudolph, Away We Go) to buoy her up… until Lillian gets engaged. Annie becomes maid of honor, but another friend of Lillian's--the rich and lovely Helen (Rose Byrne, Get Him to the Greek)--wants to take over that position. Misadventures with bad Brazilian food, dress fittings, an unfortunate flight to Vegas, and a sympathetic traffic cop (Chris O'Dowd from British TV comedy The IT Crowd) follow, with increasingly hilarious results. Bridesmaids successfully balances raunchy comedy and character portrait. The embarrassing and socially catastrophic stuff, which in too many movies balloons into absurdity, is here kept in check just enough to allow Annie and the other characters to be multidimensional people--without the movie losing its comic capacity for cringe. (Actress Melissa McCarthy, of Mike & Molly, works miracles with a character than in most hands would be pure cartoon.) Wiig's enormous appeal keeps Annie sympathetic, even as she becomes more and more of a train wreck. Bridesmaids is both smart and dumb, raunchy and earnest, and altogether enjoyable. --Bret Fetzer

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Thursday, December 1, 2011

Zookeeper

Zookeeper Review






Zookeeper Overview


A group of zoo animals decide to break their code of silence in order to help their lovable zoo keeper find love -- without opting to leave his current job for something more illustrious. Studio: Sony Pictures Home Ent Release Date: 10/11/2011 Starring: Kevin James Leslie Bibb Run time: 102 minutes Rating: Pg Director: Frank Coraci


Zookeeper Specifications


Picture talking animals giving mating advice to a zookeeper who's an absolute loser with women, add a hefty dose of slapstick humor, and you've pretty much summed up Zookeeper. Griffin is a disaster with the ladies, as was proved by his failed marriage proposal to the self-absorbed Stephanie several years ago, but he's really good with animals. The animals have listened to Griffin pine over Stephanie for years, so when they overhear Stephanie saying that perhaps her rejection of Griffin was too hasty, they take action. They decide to help Griffin rekindle the relationship and become the alpha male that Stephanie wants him to be. The animals are masters at mating, but their plan to show Griffin how to act quickly breaks down and they inadvertently begin talking out loud to him. After his initial shock, Griffin starts to take the animals' advice seriously--from how to walk and roar to the extreme of marking his territory. Surprisingly, the animals' advice really works and Griffin is about to get everything he's ever dreamed of--or is he? There's plenty of star power in this film--from Kevin James as Griffin, to the voice talents of Sylvester Stallone as Joe the lion and Cher as his lioness, Adam Sandler as Donald the monkey, and Nick Nolte as Bernie the gorilla--but somehow they're all somewhat underwhelming. This film has more than its share of cheap laughs, often at the expense of some part of Griffin's body, and some viewers will find that just right for a night's entertainment. Those looking for a moral to the story will discover that it's wise to be careful what you wish for and that what you think you want may not be anything like what you really need. Zookeeper isn't a great film destined for repeated watchings, but it's not meant to be--it's a comedy that will make you laugh a bit today and forget it the second you leave the theater. (Ages 10 and older) --Tami Horiuchi

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